The following text accompanies an installation I made as part of the NOMO Exhibition we’ve designed and curated as the culmination of our residency at Kohler Arts. Over the past few weeks I’ve made fictional, yet plausible sculptural elements that support the idea that surfing has origins on the Great Lakes. I will provide more detail soon about the NOMO Exhibition, but here’s a preview of my “Legend of Lumberjack Surfing” installation:

The Legend of Lumberjack Surfing

“There is a little known legend that surfing has early 19^th century origins on the Western shores of Lake Michigan, separate from its more ancient roots on the islands of the South Pacific.

When timber rafts were floated down Wisconsin’s rivers to be shipped to far off urban centers, large slabs of wood occasionally broke loose along the lake and washed ashore. Enterprising lumberjacks and boat-builders often rescued the timbers by drifting them offshore, standing atop them and paddling them to beachfront workshops, occasionally attaching sails to ease the journey. When the surf was heavy, the maritime lumberjacks beached the timbers by riding waves to shore, steering with a long wooden paddle. Over time, the activity of riding waves became an end in itself, and the ‘lumberjack surfers’ learned to shape the rough sawn planks for better performance in the waves.

By the early 20^th century, the ‘lumberjack surfers’ adapted wooden boards to ride on land by attaching crude wheels to their undersides, thus inventing an early form of the skateboard. Many of these ‘trapper’s skateboards’ were made from stretchers originally used to tan wolf hides. By the middle of the 20^th century, experimental skateboards were commonly made from discarded, wooden alpine and water skis, which were rapidly being replaced by fiberglass.”

Another part of the NOMO Exhibition at Kohler Arts features longboard skate graphics I designed collaboratively, like the Northern Pike Longboard (above) drawn by Mary Whitehall and Zak Worth. The burnt/etched deck is part of a series depicting fish native to Lake Michigan

Tagged: appropriate technology, bike culture, contemporary art, craft philosophy, deep craft, DIY, furniture design, green design, innovation, kohler arts, longboard, public art, scott Constable, skateboard, slow design, surfing, sustainability, tall tale, traditional craft, vernacular architecture, woodworking, wowhaus

sometimes I make up songs during a long walk

There is no better design tool than a good long walk. It may not always lead to creative breakthroughs, but does reliably clear the noggin and put things in perspective. Before I begin to think about a particular project during a walk, I usually find myself simply getting into the cadence and breathing of walking, sometimes making up phrases and melodies to help me focus. Whether or not I make progress with the project at hand, I always return to the studio feeling relaxed and optimistic, eager to field the inevitable challenges of the day.

Tagged: craft philosophy, deep craft, furniture design, scott Constable, woodworking

These elegant ’sand trees’ are unique to the low tide conditions of Doran Beach

As Ene and I begin to fabricate our relief sculptures for a system of watershed markers we’ve been commissioned to design for the City of Oakland, we’ve been returning to our local beach at low tide for research and inspiration. The way the sand behaves at a certain angle of incline, at very low tides, makes a lovely tree structure that micro-cosmically mimics the contours of drainage patterns constituting the local watershed.

mussels cluster on rocks alongside barnacles, starfish and anemone

The Beach Fleas (Orchestoidea) are everywhere along Doran

To follow the progress of this wowhaus public art project, please click here and scroll down.

Tagged: aesthetics, california coast, deep craft, innovation, phenology, public art, scott Constable, slow design, sonoma coast, watershed, wowhaus

The remainder of our week continued to be full of surprises as we mined Sheboygan, Wisconsin, and its environs along the shores of Lake Michigan for activity relevant to our NOMO project. As Ene and I process our research and  interactions and begin to shape it into an exhibition/exposition to be staged at Kohler Arts Center this summer, I wanted to share a string of images and some rambling commentary below:

I’m always surprised and delighted to find such a thriving maritime culture and history in Sheboygan, where perch, salmon, trout, whitefish, chub and smelt are still fished commercially.

We made a habit of buying fish at Schwartz’s Fish Market, where they still smoke their own fish and tally the price by hand, just as they did in 1912 when the market was founded. Friday night is when every bar and restaurant in town features a ‘fish fry’, which is not to be missed. All generations gather at familiar neighborhood spots for drinks (the ‘old fashioned’ is the traditional fave), live music (usually with a German theme), and astounding salad bars, rife with delicious potato salads, herring, pickled beets, slaws and salad greens. The fish offerings change seasonally, but tend to feature lightly breaded, fried perch, wall-eye and cod.

a birch forest along the lakeshore south of town

Among many antique tools and ‘plausible historic artifacts’ I culled for the installation in the Kohler Arts gallery, this Dutch plate captured the feeling I’d like to conjure.

I found a wood mill in the back of a red barn just outside of town

Our friend Kristofer Rusch brought us on a road trip that included a stop at ‘Mike the Recycler’.

A diolorama of a Red Cross volunteer at the Sheboygan History Museum

Portion of a WPA-era mural ( 1935), by Schomer Lichtner at the Sheboygan Post Office

drawing by Sheboygan artist Zak Worth

another drawing by Sheboygan artist Zak Worth

We’ve been staying in a historic, salt-box house that borders the James Tellen Woodland Sculpture Garden, and I have been daily blown away by his artistry with such a rude material as concrete. The house was built as a boyscout clubhouse, and has the following word carved into the stones flanking the fireplace: Kind, Courteous, Friendly, Helpful, Loyal, Trustworthy, Obedient, Cheerful, Thrifty, Brave, Clean, Reverent. These are all apt descriptions of the general populace in this region.

Tagged: deep craft, james tellen, kohler arts, scott Constable, skateboard, surfing, vernacular, vernacular architecture, zanzi

Gullies have been forming at low tides along Doran Beach, where shore birds feast on crabs and clams made vulnerable by the shallow backwash. I was surprised to find sea stars in the sand, their bright red bodies reflecting the morning light like stop signs. Drawn to a particularly bright patch, I was startled to discover a diver’s signal flag, especially before the abalone season officially opens.

A lovely nautical signal flag to add to the collection

Ochre Sea Star (Pilaster ochraceus)

Bat Star (Patiria miniata)

A Red Crab (Cancer productus) as yet undiscovered by birds

I love Doran’s unique drainage patterns

Tagged: aesthetics, beachcombing, california coast, california flora, deep craft, phenology, slow design, sonoma coast, surfing

In West Sonoma County, early signs of spring are typically in sync with the arrival of a huge south swell, epitomized by the epic surf at Mavericks, about 100 miles down the coast. With more daylight and warming temperatures over the past few weeks, our hens have begun laying eggs, the acacia trees are in flower, the willow’s catkin is giving way to leaf, and the wild plum trees are beginning to blossom along exposed slopes. Yellow mustard flowers fill grazing meadows, vineyards and apple orchards, the clover beginning to recede. As we pack for the coming week of vacation on the beach north of Puerto Vallarta, I anticipate returning to a flood of fruit trees in full flower.

the acacia trees are in bloom along the Sonoma Coast

the willows are looking lively along the streams

To read more of my postings on cyclical, seasonal events, please click here and scroll down.

Tagged: aesthetics, california coast, california flora, deep craft, longboard, mavericks, phenology, skateboard, sonoma coast

My favorite chair, by far, is an ocean kayak. To unwind after an intense week of new projects, I spent a quiet afternoon idly paddling down Estero Americano, my favorite local slough, now flooded to the coast. The marshy, seasonally tidal estuary is like a living almanac of coastal California birds, evidenced by my encounters with numerous cormorant, dowitcher, egret, snipe, willet, loon, night heron, bufflehead, black skimmer and, closer to the beach, a flock of white pelican.

It’s coming up on two years since I created this site, whose first post was inspired by a paddle down the same stream. This time around, my voyage taught me less about the material provenance of my chair design, and more about the simple pleasures of sitting with nature.

The white pelican takes flight over Estero Americano

Tagged: aesthetics, birding, california coast, craft philosophy, deep craft, furniture design, phenology, scott Constable, sonoma coast

At some point when making a sculpture or piece of furniture, my job is simply to convey a load to the ground. The perennial challenge is to invent or interpret a structural program that gets the job done but adds something new in the process. I usually begin by looking to natural forms- to the structural properties of a material, or to the material’s source- the tree in the case of wood. But I also find inspiration in engineered forms, like the pallet pictured above, whose underside resembles a Mayan city. The pressed form has me trying to make connections between the mundane task of conveying a load and the magical cosmology of Mesoamerica.

my chair for Becoming Independent conveys a load on two levels both laterally and vertically

Tagged: craft philosophy, deep craft, innovation, inspiration, mesoamerica, scott Constable

I doubt the rancher who owns this tiny roadside outbuilding shares my enthusiasm for the patterns of blistered paint on its corrugated walls. He’d probably agree that it needs repainting and was a poorly executed job to begin with, or that the galvanized steel was best left exposed to the elements without any paint at all. By the time it took the paint to blister, the wall would have developed a lovely patina of blotchy moss and pitted corrosion, given the proximity to the oft-fog-shrouded coast.

Regardless, the wall got me thinking about how much I like seeing how man-made structures find equilibrium with their environment, all the more so when the decay resulting from use and exposure is anticipated. Entropy only ever increases over time. Or, as the German physicist Rudolf Clausius wrote in 1862:

The algebraic sum of all the transformations occurring in a cyclical process can only be positive, or, as an extreme case, equal to nothing. (second law of thermodynamics)

So, my digressive conclusion is that any hand wrought thing works best when the aesthetic of its own decay is considered a design requirement.

Tagged: aesthetics, contemporary art, craft philosophy, deep craft, entropy, scott Constable, vernacular architecture

One of three ’seed heads’ of stainless steel and crystal, fabricated by Jeff McCann

After a year of planning with the City of San Jose’s Public Art Program, we’re excited to be finally installing our Wishing Wands sculptures at Berryessa Creek Park. The latest Wowhaus project consists of three 12′ high sculptures depicting ‘dandelions’ in their parachute ball stage, rendered in stainless steel and Austrian crystal. The concept was inspired by the universal practice of children blowing on the plant’s downy-dry seed head and making a wish, which is what we found the neighborhood children to be doing during our exploratory site visit to the park last year. While the sculptures were under fabrication, Ene conducted a wishing workshop with the children who frequent the park, where they made wishes on the 120 crystals to be mounted on the three seed heads. Like magic wands, the sculptures will cast cascades of tiny rainbows when the sun refracts through the prismatic crystals.

a neighborhood boy makes a wish on one of the 120 crystals; early concept rendering

The common dandelion (Taraxacum officinale) is one of the world’s most prolific weeds, whose English name is a corruption of the French dent de lion (lion’s tooth). In many languages, the flower’s name reflects the universal appeal of blowing on the seed head during its parachute ball phase; the flower is variously called pusteblume (German for “blowing flower”), soffione (Italian for “blowing”; in some northern Italian dialects), dmuchawiec (Polish, derived from the verb “blow”), одуванчик (Russian, derived from the verb “blow”).

The First Dandelion, by Walt Whitman

Simple and fresh and fair from winter’s close emerging,

As if no artifice of fashion, business, politics, had ever been,

Forth from its sunny nook of shelter’d grass–innocent, golden, calm as the dawn,

The spring’s first dandelion shows its trustful face.

Tagged: contemporary art, deep craft, flowers, invention, public art, scott Constable, slow design, wowhaus