{ Monthly Archives: October 2008 }

Clam Skiff Vernacular

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Brigantine beach cottages, alleyway view

As a teenager in the seventies I spent summers on the South Jersey shore cooking at a seafood restaurant in Brigantine, a tiny island just to the north of Atlantic City. My great grandfather had built one of the first houses on the island in the 1920’s, my dad worked the beaches as a lifeguard in the 1950’s, and the island remains a touchstone for my siblings and me, my daughter and her generation of cousins. Being geographically remote and vulnerable to hurricanes, the island did not develop as rapidly or luxuriously as its neighboring communities to the south, and remained a working class destination well into the introduction of legalized gambling in the late seventies. For more than the past decade, houses like the ones above have been largely demolished and replaced with tacky ‘McMansions’ in response to an insatiable demand for seaside vacation homes in the urban Northeast corridor.

On my way to work in the late afternoon I would walk along sandy alleyways past the backsides of these houses, which then almost invariably had a ‘clam skiff’ stored for easy access on a trailer. These were the homes of island clammers and fishermen, whose catch was delivered daily to the restaurant- top necks, little necks, cherrystones and chowder clams, all bundled up in muddy burlap bags by sun-soaked and slightly innebriated skiffmen who spent their days on the marshes. Along with seasonal catches of flounder and blue claw crab, this bounty formed the staple of our menu at the restaurant.

I was always struck how the clammers’ skiffs resembled their houses, often coated with the same paint. The skiffs were flat-bottomed, hard-chined ’sharpies’ designed to navigate the shallow tidal flats and sloughs of the Brigantine Bay and to take a heavy load. Because the skiffs were often in better repair than the houses, I thought of them as the maritime equivalent to a barn or tractor for the land-based, agricultural enterprises further inland.  The skiffs and beach cottages were more the domain of the last of the hunter-gatherers, but the relationship between the implements of livelihood and domestic comfort was simailarly structured. Resources were prioritized according to the requirements of rudimentary provision, and the design of houses followed the pattern of utilitarian necessity.

Up until the post-WWII ubiquity of sheet materials like plywood, clam skiffs and beach cottages were constructed of local pine and cedar from New Jersey’s deceptively expansive native forests. When material scarcity outpaced the demand for the material people naturally found substitutes, regardless of the trade-offs. This is especially the case in places like Brigantine, where working communities were historically under constant threat of poverty and natural disaster. Though plywood does not rival local materials in terms of environmental impact, it has proven to be of use in addressing established formal requirements  in response to regional conditions, both social and environmental. During the housing boom on the island  beginning in the late 1940’s and extending into the early 1970’s, plywood became the material of choice for the construction of both house and skiff. Suffice it to say that while clammers no longer occupy the island, the crop of new boats certainly continues to match the contemporary architecture.

I’m interested to see historic preservation extend into the contemporary vernacular of a region, protecting local resources as much as local character.

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underside of a modified sharpie skiff Ene and I built in the late 1980’s

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Saving Seeds with Alex Quinto

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Ene harvested the last of our tomatoes and tomatillos, which she had let over-ripen on the vine to to make it easier to squeeze out the seeds. Our friend Alex Quinto was visiting for the day and helped Ene with the seed saving.

Alex is the co-founder of Work Worth Doing and has lived for years between Toronto and Mexico City, engaging in design research related to sustainable development and the future of U.S.-Mexico relations. He recently collaborated with Fernando Romero on the book Hyperborder, a detailed portrait of the U.S.-Mexican border and study of its potential future scenarios.

It seemed appropriate to discuss the future of our relationship with Mexico with Alex while handling seeds whose ancient origins are in the Americas. Next we will soak the seeds in water until the remaing fruit rots away, then dry the seeds in the sun for planting next spring. Perhaps Alex will return to help us plant the crop.

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Alex and Ene saving seeds

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Hum of Home

We’ve had a rare stretch of balmy clear nights and I find myself seduced into staying up late to watch the stars and be lulled by the polyrhythm of crickets and the smell of the watered garden tinged with redwood trees still breathing the morning fog. We’ve heard peeper frogs during the rainy season since we settled here over two years ago, but this is the first season we hear the steady hum of crickets and cicadas at nightfall, before the cooler air settles in from the coast and the new silence gives way to the predatory warnings of owls and coyotes. By cultivating the land and making a homeplace we’ve influenced the ecosystem around us in ways that are beginning to feel like a reward for our efforts. The hum of home has begun to extend beyond our reach and beyond our waking lives, night and sleep informing the patterns of the day.

With the property becoming more domesticated and my shopwork finding a healthy cadence during this season of shortening days, I’m lucky to have these warm autumn nights to reflect on the craftwork that fills my days. It’s almost as though the daily rituals of working with wood are a way of limbering up my mind, preparing me for clear thinking.

Prepare the work while it prepares you.

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Vernacular Knowledge Proxy

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Anyone have any ideas or resources to contribute to making something like this?

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Introducing HAYRIDE

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While watching the audience of friends and neighbors at our Farmily Apple Jamboree *  last month, I decided to revive the Hayride bench I designed over four years ago.

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Inspired by horse drawn coaches and nineteenth century agricultural joinery, I designed the Hayride to transform a standard straw bale into a comfortable settee for two. I made the original batch to live outside year round at the Copia Kids Garden in 2004, and have paid careful attention to how they weathered under daily public use. The new Hayride benefits from this real-world prototyping and I am proud to offer it for sale to the public under the deep brand.

The first batch of improved Hayrides  was commissioned by my brother-in-law, Bill Martin, who is the mandolin player for The Wronglers, the headline act at our Apple Jamboree. Bill made a gift of Hayrides to Warren Hellman, the Wronglers’ banjo player and founder/sponsor of San Francisco’s annual Hardly Strictly Bluegrass festival. The benches will reside at Warren’s ranch in Bolinas, headquarters for the HSB festival and general locus for bluegrass and old-timey music.

 *The ‘Farmily Apple Jamboree’ was the second annual outdoor concert on the Wowhaus compound. Celebrating the apple harvest by pressing cider and baking pies with friends and neighbors, we were entertained by the music of The Wronglers, Loretta Lynch, Oakey Rosette, Sister Exister and Bernie Jungle. Last year we celebrated the transformation of our chicken coup at The Great Chicken Coup Revival, and we are already making plans for next year’s Shindig at Pappy’s Shack!

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White Oak Windfall

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looking toward the mouth of Tomales Bay

We’re enjoying a spectacular fall in West County with warm, dazzling days and  crisp, clear nights. The apples have been harvested and my thoughts have turned to loading summer-cured firewood into the shed before the rains and organizing my piles of timber for winter production in the shop.

I have several furniture projects in development and need a good supply of cypress to round out my collection of walnut and acacia. Though a bit brash, Monterey Cypress is dimensionally stable, works well and is resistant to rot and insects, making it perfect for my new outdoor furniture ideas. The tree is unique to this stretch of coast, and is fairly available after winter storms.

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Monterey Cypress along the shore

I travelled down the coast and along the Eastern shore of Tomales Bay to check in with my friend Steve Potts, who lives near Point Reyes Station and mills wood when he’s not building bicycles. Steve toured me through his piles of cypress but the wood was generally not straight-grained enough for my needs and still measured about 16 % moisture content, which would mean a few more months of air-drying time. My eye caught unexpectedly on a neatly stickered stack of white oak, about 1000 board feet, cut to about 5/4″ x 6″ x 8′, exactly the dimensions I require. The wood appeared well-seasoned, with straight, flat-sawn grain, with about 20-30 % sapwood. Because of the sapwood and some dimensional inconsistencies, Steve offered me an excellent price if I bought a unit, about a quarter of the pile.

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Steve Potts by his new Woodmizer

Although it is not native to this region, white oak will be perfect for my Hayride bench, and I can mill strips of the off-cuts for my steam-bending experiments this winter. Steve milled the lumber from an old tree that lived in Ross, CA. It took a year and a half for the arborist to get a permit from the city to cut the tree, about half of which is still in log form in Steve’s woodlot. I’ll be proud to make my first batch of the Hayride bench from such a majestic source, and feel good that the first commission will be used so close to the tree’s original home.

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Field Glasses

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Site Specific projects  require careful planning on and off site. When building a treehouse and managing a crew over a sequence of days, small comforts and simple luxuries always help to maintain a convivial atmosphere and improve productivity, especially when the weather is not cooperating. While building treehouses over the years I have developed a collection of portable expedition furniture that has become an essential component of my set of tools. I will be making select, limited productions of my expedition furniture available on the Goods page, beginning with my hand-blown Field Glasses

Everyone appreciates good food and drink outdoors; everything tastes better, especially when served with real dishes, glasses and flatware. I developed the Field Glasses  for use in and under trees, where the ground is often uneven with roots and rocks. The wide, low profile is nearly spill-proof, and the hollow, punted bottom grips the ground and clears debris.   A hand blown lid keeps out bugs and leaves, and doubles as a coaster for more polite settings.

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The Field Glasses are made in small batches my my friend Conrad Williams in Eugene, Oregon. Conrad was one of my best students when I taught at California College of the Arts (CCA), and has been a reliable crew member on several of our site specific projects over the years. While still a student, Conrad made the initial prototypes for these glasses based on my sketch (at top). After graduation and extensive professional training, including a highly competetive apprenticeship with  Dale Chihuly, Conrad has since developed his own studio, where he will be making the Field Glass in small batches exclusively for Deep Craft.

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Conrad Williams making the Field Glass

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