Glass Banjo, 2001, hand-blown glass, aircraft aluminum, marine plywood
My trusty Glass Banjo will be included in Southern Exposure‘s juried exhibition, This Will Never Work, on view in San Francisco from November 22 – December 14, 2013. I made the piece over twelve years ago and it’s never been exhibited, rarely even seen, so I’m anxious to see how it will be received.
The Glass Banjo is part of a series of ‘field equipment’ I made to support site specific projects in remote destinations, particularly a progression of treehouse structures I orchestrated on either coast beginning in the late 1990s. After a long day in the tree and foraging the forest for materials, my volunteer crew and I would relax under the boughs, admire our work and plan for the next morning. Our twilight reverie would inevitably require libations and music, so I thought to make an all-weather banjo for impromptu song-making. I thought it’d be interesting if all project documentation were limited to made-up banjo songs.
I based the proportions of my Glass Banjo on a late 19th-Century fretless Haynes Bay State model I had purchased in the 1980’s on Bleecker Street. I reduced the number of parts to the barest minimum, choosing materials and engineering the structure to withstand outdoor living. The hook at the back of the head allows the instrument to be hung from a tree limb, within easy reach should inspiration strike.