{ Category Archives: Kohler Arts Residency }

The Legend of Lumberjack Surfing

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The following text accompanies an installation I made as part of the NOMO Exhibition we’ve designed and curated as the culmination of our residency at Kohler Arts. Over the past few weeks I’ve made fictional, yet plausible sculptural elements that support the idea that surfing has origins on the Great Lakes. I will provide more detail soon about the NOMO Exhibition, but here’s a preview of my “Legend of Lumberjack Surfing” installation:

The Legend of Lumberjack Surfing

“There is a little known legend that surfing has early 19th century origins on the Western shores of Lake Michigan, separate from its more ancient roots on the islands of the South Pacific.

When timber rafts were floated down Wisconsin’s rivers to be shipped to far off urban centers, large slabs of wood occasionally broke loose along the lake and washed ashore. Enterprising lumberjacks and boat-builders often rescued the timbers by drifting them offshore, standing atop them and paddling them to beachfront workshops, occasionally attaching sails to ease the journey. When the surf was heavy, the maritime lumberjacks beached the timbers by riding waves to shore, steering with a long wooden paddle. Over time, the activity of riding waves became an end in itself, and the ‘lumberjack surfers’ learned to shape the rough sawn planks for better performance in the waves.

By the early 20th century, the ‘lumberjack surfers’ adapted wooden boards to ride on land by attaching crude wheels to their undersides, thus inventing an early form of the skateboard. Many of these ‘trapper’s skateboards’ were made from stretchers originally used to tan wolf hides. By the middle of the 20th century, experimental skateboards were commonly made from discarded, wooden alpine and water skis, which were rapidly being replaced by fiberglass.”

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pike longboard

Another part of the NOMO Exhibition at Kohler Arts features longboard skate graphics I designed collaboratively, like the Northern Pike Longboard (above) drawn by Mary Whitehall and Zak Worth. The burnt/etched deck is part of a series depicting fish native to Lake Michigan


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NOMO Developments

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We rode in the 4th of July parade to promote the NOMO concept

Our first week back at the John Michael Kohler Arts Center was action packed as we laid the groundwork for the NOMO EXPO. A part of our project as artists in residence is simply to promote the ‘NOMO’ concept, a word/logo we invented as a contraction of ‘non-motorized transportation’. It’s been wonderful collaborating with the Kohler Arts Center, who made NOMO banners to promote the project, which were carried in Sheboygan’s well-attended 4th of July parade.

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one of two skate decks by Zak Worth, which we commissioned for the exhibition

bike basket

Sheboygan artist Michelle Ann Miller crochets baskets and panniers from plastic bags

sage's bike

The ‘pop-a-wheelie’ bike, made by  Sage, a 12 year old boy who lives in Madison


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Bike Bling

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I made these lightweight panniers from salvaged materials for my Dahon folding bike

After our cross-country trek and a long overdue visit with family on the East Coast, Ene and I arrived in Sheboygan late last week for the final three weeks of our residency at Kohler Arts. We’ve settled into the guest cottage at the James Tellen Sculpture Garden, about 6 miles south of the town center, and a short walk to the sandy shores of Lake Michigan.

As we curate our NOMO exhibition and lay the groundwork for the NOMO EXPO, I’ve been commuting to town on my trusty Dahon folding bike. Over the weekend, I made a set of panniers when we hosted a public ‘Bike Bling’ workshop at the Kohler Art Center’s ARTery. The panniers consist of a lashed wooden frame, zip-tied to my rack, and saddle bags made from a recycled exterior banner, with duct-taped seams. While my panniers are intended to be temporary, they are surprisingly strong and lightweight, and I’m hoping the prototype will be improved upon by others during the EXPO.

To read more about our residency at the John Michael Kohler Arts Center, please click here and scroll down.


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NOMO Tattoo

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Our NOMO logo was designed by Sheboygan-based tattoo artist, Steven Bossler

Ene and I (aka wowhaus) are gearing up for a cross-country, family road trip, the final destination being the final, three week leg of our residency at the John Michael Kohler Arts Center in Sheboygan, Wisconsin, 6/27- 7/18. Somewhat ironically, the focus of our project is non-motorized transportation, which we’ve contracted into the catchier moniker, ‘NOMO’. During our residency, we will be setting up an outdoor NOMO Studio under a tent on the grounds of Kohler Arts, where we will work collaboratively with the community to interpret and celebrate NOMO culture in the region, culminating in a day-long exposition and related gallery exhibition, that will remain open to the public for the remainder of the summer.

We’ve already laid the groundwork for the body of work we plan to produce and are looking forward to pulling it all together in true wowhaus style. To promote the project, we asked Steven Bossler, a Sheboygan-based tattoo artist, to contribute his take on a NOMO graphic identity (see above). The NOMO logo will be featured on all print materials, and we will be giving away NOMO tattoo decals during our residency. We will continue to tap the creative energies of the citizens of Sheboygan throughout the process as we explore alternative modes of transportation in the region.


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Kohler Arts Dispatch

lakeshoreLake Michigan shoreline along the Kohler-Andrae State Park, south of Sheboygan

The remainder of our week continued to be full of surprises as we mined Sheboygan, Wisconsin, and its environs along the shores of Lake Michigan for activity relevant to our NOMO project. As Ene and I process our research and  interactions and begin to shape it into an exhibition/exposition to be staged at Kohler Arts Center this summer, I wanted to share a string of images and some rambling commentary below:

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Kohler Arts Residency Dispatch

cooper's decksCooper O’Connel’s hand painted decks will be featured in our NOMO Exhibition

Ene and I are in Sheboygan, Wisconsin this week on the second leg of our residency with Kohler Arts. We’ve been busy developing our NOMO project, which will be a celebration of non-motorized transportation in the region, with focus on DIY skate, surf and bike culture. NOMO will take place in two parts over the summer- a gallery exhibition and a participatory, outdoor exposition, with community-based events, workshops and demonstrations. We’ve been enjoying curating the exhibition and have tapped into a thriving, ‘maker’ community and surf/skate scene in Sheboygan, which is famous for having one of the best fresh water surf breaks in the world.

monty shaping2Monty Stauffer shapes surfboards and paddle boards for fresh water conditions

To learn more about the wowhaus residency with John Michael Kohler Arts Center, please click here and scroll down.

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Specific Gravity

surfboardthe surfboard originated in Hawaii, where local woods were shaped for specific waves

I’ve body-surfed all my life and have a natural feel for wave mechanics, but I’m finally getting ready to learn to surf on a board. Being a ‘wood guy’ with access to local mills and several decent breaks within a few miles, my first step will be to shape my own board. Luckily, my first surfboard will double as an integral part of our NOMO (non-motorized transportation) exhibition we’re developing as artists in residence at Kohler Arts over the summer.

Believe it or not, Sheboygan, Wisconsin has one of the best fresh water breaks in the world. So I’ve conceived of my surfboard as a freshwater longboard indigenous to the shores of Lake Michigan, modeled on the early surfboards native to Hawaii, which were shaped of local Koa and Balsa. Because freshwater is less buoyant than saltwater, I’ve been researching the specific gravity of Lake Region woods, looking for large trees with straight, clear grain and low specific gravity for maximal flotation and easy carving. I’ve discovered that American Cottonwood (Populus freemontii) still grows prolifically in the lowlands of Wisconsin, and with a specific gravity of around 0.31, is ideal for shaping a surfboard. The tree grows equally well along the Pacific Coast of Northern California, so I’ll make a prototype and test it locally.

To follow the development of our wowhaus artist-in-residence project at the JM Kohler Arts Center, please click here and scroll down.


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